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Almost Famous (2000)
Año de Lanzamiento: 2000
Nación: United States of America
Título Alternativo: Casi famosos, Presque célèbre, Quase Famosos, Почти знаменит, Almost Famous - Fast berühmt, Back in Those Days with Penny Lane, Korak do slave, Majdnem híres, Melkein julkkis, Quasi famosi, Shedon diasimoi, U progu slawy
Director: Cameron Crowe
Guionista: Cameron Crowe
Producción y Género
Productor(es):
Compañías: Columbia Pictures, DreamWorks Pictures, Vinyl Films
Género: Adventure, Comedy, Comedy Film, Coming-Of-Age Fiction, Drama, Music, Musical Film
Premios y Similares
Premios:
Similares:
Palabras Clave
Palabras Clave: adoring, amused, aspiring writer, based on true story, bus trip, cautionary, celebratory, cleveland, ohio, comforting, coming of age, concert, domineering mother, drug addiction, frustrated, groupie, heavy metal, hotel room, innocence lost, mischievous, music journalist, on the road, overdose, promiscuity, reconciliation, rock 'n' roll, san diego, california, semi autobiographical, stewardess, swimming pool, teenager
Argumento
In 1970s Cleveland, Ohio, 15-year-old William 'Billy' Miller, an aspiring music journalist and Stillwater fan, meets with Rolling Stone editor Ben Fong-Torres who assigns him to write about the band's tour for his first article. Billy joins Stillwater on their tour bus, experiencing their concerts, backstage chaos, and personal lives. Along the way, he befriends guitarist Russell Hammond and becomes involved in groupie Penny Lane's life. Billy's article is published, but not without controversy due to his candor about the band's dynamics. After a concert incident involving drugs and a hotel room overdose, Billy returns home, reflecting on his experiences and newfound maturity.
Resumen
Almost Famous (2000), directed by Cameron Crowe, follows fictional teenage journalist William 'Billy' Miller (Patrick Fugit) as he tours with the up-and-coming rock band Stillwater during the early 1970s. Semi-autobiographical, the film captures the essence of Crowe's own experiences as a young music journalist. It explores themes of innocence lost, coming-of-age, and the behind-the-scenes reality of rock 'n' roll. Billy's journey, documented in his articles for Rolling Stone, reveals the truth about Stillwater despite the band's attempts to maintain their image.
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