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Póster de Lost and Delirious (2001)

Lost and Delirious (2001)

Año de Lanzamiento: 2001

Nación: Canada

Título Alternativo: Lost & Delirious, Rebelles, Assunto de Meninas, El último suspiro, Kayip ve çilgin, L'altra metà dell'amore, La rage au coeur, Lost and delirious - Verrückt nach Liebe

Director: Léa Pool

Guionista: Judith Thompson, Susan Swan

Producción y Género

Productor(es):

Compañías: Cité-Amérique, Dummett Films

Género: Coming-Of-Age Fiction, Drama, Film Based On Literature, Lgbt-Related Film, Romance, Romance Film

Premios y Similares

Premios:

  • 4 wins & 6 nominations

Similares:

  • The Hairdresser's Husband (1990)
  • Angel (2007)
  • The Sweetest Thing (2002)
  • Nekromantik (1988)
  • Death Sentence (2007)

Palabras Clave

Palabras Clave: based on novel or book, discovery, identity, lesbian, love, roommates, school, woman director

Argumento

Lost and Delirious follows a teenage girl named Mary (Mischa Barton) as she starts her education at an elite boarding school. She bonds with her two older roommates, Gidge (Piper Perabo) and Toby (Jessica Pare), who are in a secret romantic relationship. The story revolves around the complicated dynamics of their friendship triangle when Mary discovers the nature of Gidge and Toby's relationship. The narrative explores themes of love, jealousy, and self-discovery as Mary navigates her feelings for both women while trying to maintain her friendships with them.

Resumen

Lost and Delirious is a 2001 coming-of-age drama directed by Léa Pool. Based on the novel 'The Diviners' by Canadian author Elizabeth Jane Howard, the film provides a snapshot of adolescence, sexual awakening, and identity formation within an exclusive boarding school setting. The story focuses on the complex emotional landscape of three teenage girls – Mary, Gidge, and Toby – as they grapple with love, friendship, and self-discovery. The film stands out for its exploration of lesbian relationships in a mainstream context, offering a sensitive portrayal of the characters' experiences.

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