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Póster de Metroland (1997)

Metroland (1997)

Año de Lanzamiento: 1997

Nación: France, Spain, United Kingdom

Título Alternativo: Reflexos do Passado, Keskellä elämää, メトロランド, Metrolendas, Метролэнд, 메트로랜드

Director: Philip Saville

Guionista: Adrian Hodges, Julian Barnes

Producción y Género

Productor(es):

Compañías: Arts Council of England, BBC Film, Blue Horizon Productions, Eurimages, European Co-production Fund, Filmanía S.L., MACT Productions

Género: Comedy, Comedy Drama, Drama, Film Based On A Novel

Premios y Similares

Premios: N/D

Similares:

  • Bright Young Things (2003)
  • The Murder of Stephen Lawrence (1999)
  • Fever in the Skin (1978)
  • Provoked: A True Story (2007)
  • Alfie (1966)

Palabras Clave

Palabras Clave: compromise, liar, london, england, nude modeling

Argumento

Metroland follows Chris, a man living in suburban London with his wife Marion during the late 1970s. His life takes an unexpected turn when Toni, his free-spirited friend from their days in Paris ten years earlier, suddenly reappears. Toni's arrival stirs up memories of Chris' youthful abandon and his former affair with Annick while living in Paris. This rekindles doubts about his marriage to Marion, who Toni seems to dislike. As Toni exerts pressure on Chris to return to their old lifestyle of sex, drugs, and rock'n'roll, Chris starts questioning his values, lifestyle choices, and relationship with Marion. He even suspects her of starting an affair with Toni. The tension comes to a head, forcing Chris to decide whether to rekindle the carefree life of his youth with Toni or commit to his present life with Marion.

Resumen

Metroland is a 1997 comedy drama directed by Philip Saville, based on Julian Barnes' novel 'Metroland'. Set in late-1970s suburban London, the film explores themes of nostalgia, compromise, and the complexities of adulthood through Chris's journey. After years apart, Toni's return challenges Chris's settled life with Marion, forcing him to confront his past and present desires. The film delves into the tension between youthful freedom and adult responsibility, as Chris grapples with his feelings for Marion, his suspicions about her, and Toni's influence.

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