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Duration: 487 sec. | Nudity: yes | Creator: zorg |
New Filesize: N/A | Sound: yes | Old Filesize: 211 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 1040x552 | Added: 2019-Apr-10 |
Alternate Names: Aurore Clement, Marie-Therese Aurore Louise Clement, Marie-Thérèse Aurore Louise Clément
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Aurore Clément, born on 12 October 1945, is a French actress known for her roles in both French and English language films and television shows. Notably, she portrayed France Horn in the 1974 film 'Lacombe Lucien', set in France during World War II.
Alternate Names: Ángela Molina Tejedor, Angela Molina, Анхела Молина, آنجلا مولینا
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Ángela Molina, born on October 5, 1955, is a Spanish actress and daughter of Antonio Molina, a renowned Spanish singer and actor. She is best known for her role in Luis Buñuel's film 'Cet obscur objet du désir' (1977), where she played the dual role of Conchita, a young woman whose allure drives men to obsession.
Release Year: 1979
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Alternative Title: Dystyhos, ta nea einai... efharista!, La personalità della vittima, Dobre wiadomosci, Bones notícies, Buenas noticias, Good News
Director: Elio Petri
Writer: Elio Petri
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Genre: Comedy, Comedy Film, Drama
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An anonymous official of a Roman television company spends his days watching six televisions in his office, showing nothing but news reports of violence and tragedies, feeling frustrated with his lack of success with women and his sexually repressed wife Fedora. After fifteen years, he reunites with an old friend Gualtiero, who believes he has mysterious enemies trying to kill him. Gualtiero's nymphomaniac wife Ada seduces our protagonist, convincing him to have Gualtiero institutionalized for treatment. Upon his release from the clinic, Gualtiero dies unexpectedly. At the funeral, Fedora reveals she is pregnant with Gualtiero's child.
Directed by Elio Petri in 1979, 'Buone notizie' (Good News) is a dark comedy-drama that follows an unnamed television company official navigating his monotonous life filled with news of chaos and his unfulfilling marriage. The film explores themes of infidelity, jealousy, and the absurdity of modern life through the lens of a black comedy. Petri uses the protagonist's daily exposure to grim news reports as a commentary on the desensitizing effect of constant media consumption. The film's title is ironic, reflecting the lack of 'good news' in both the protagonist's personal life and the world around him.