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Duration: 11 sec. | Nudity: yes | Creator: erotic4u |
New Filesize: N/A | Sound: no | Old Filesize: 1 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 320x240 | Added: 2005-May-01 |
Alternate Names: Mary Sean Young, شان یانگ
Physical Characteristics: N/A
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Sean Young (born Mary Sean Young on November 20, 1959) is an American actress known for her breakthrough role as Rachael in 'Blade Runner' (1982), which became a significant work in popular culture, and reprised the role in its sequel 'Blade Runner 2049' (2017). She also originated the character of Chani in 'Dune' (1984) and led the neo-noir film 'No Way Out' (1987), among other notable works like 'Wall Street' (1987), 'Fatal Instinct' (1993), and 'Ace Ventura: Pet Detective' (1994).
Release Year: 1992
Nation: United Kingdom, United States of America
Alternative Title: Crímenes de amor, Любовни престъпления, Crimes de Amor, Das gnadenlose Auge, Erotika eglimata, Szerelmi bűntények, Sola con l'assassino, Zbrodnie z milosci, Fome de Sedução, Любовные преступления
Director: Lizzie Borden
Writer: Allan Moyle, Laurie Frank
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Companies: Miramax, Sovereign Pictures
Genre: Erotic Thriller, Erotica, Romance, Thriller
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Keywords: desire, disguise, investigation, lawyer, neo-noir, photographer, scam, seduction, victim
An Atlanta prosecutor named Catherine (Sean Young) becomes obsessed with tracking down a sexual predator who preys on women by posing as a famous fashion photographer. The perpetrator, identified only as Bergin, targets his victims in public places and then exploits their vulnerabilities to manipulate them both sexually and financially. Catherine arranges to meet him in order to gather evidence against him. However, she finds herself drawn into his game of seduction and begins to experience her own suppressed desires. In the process, Catherine must confront her own submissive tendencies while attempting to bring Bergin to justice.
Love Crimes is a neo-noir erotic thriller directed by Lizzie Borden in 1992. Set in Atlanta, the film explores themes of obsession, desire, and manipulation through its central character, Catherine, a tough female district attorney who becomes personally involved in her investigation of Bergin, a sexual predator disguised as a famous photographer. The movie is notable for its exploration of power dynamics and the blurred line between victimization and consensual encounters.