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End of the Affair (1999)
Año de Lanzamiento: 1999
Nación: United Kingdom, United States of America
Título Alternativo: The End of the Affair, El ocaso de un amor, Краят на аферата, Fim de Caso, Das Ende einer Affäre, Enden på legen, Ühe armuloo lõpp, El fin del romance, El final de l'idil·li, Jutun loppu, La fin d'une liaison, To telos mias shesis, Kraj ljubavne priče, Egy kapcsolat vége, Sof Ha-Roman, Fine di una storia, Meiles romano pabaiga, Slutten av et forhold, Slutten på et forhold, Koniec romansu, O Fim da Aventura, Sfarsitul aventurii, Kraj jedne ljubavne priče, Конец романа, Slutet på historien, Zor tercih
Director: Neil Jordan
Guionista: Graham Greene, Neil Jordan
Producción y Género
Productor(es):
Compañías: Columbia Pictures
Género: Drama, Film Based On A Novel, Mystery, Romance, Romance Film
Premios y Similares
Premios:
Similares:
Palabras Clave
Palabras Clave: 1940s, bomb, church, infidelity, jealousy, london blitz, london, england, obsession, romance, world war ii
Argumento
In post-WWII London (1946), novelist Maurice Bendrix reunites with his old friend Henry Miles after a two-year hiatus. Their meeting rekindles Maurice's obsession with Sarah Miles, Henry's wife and Maurice's former lover who abruptly ended their affair without explanation. Driven by jealousy, Maurice hires a detective agency to investigate Sarah's suspected infidelity. Meanwhile, Maurice struggles with his lingering feelings for Sarah and tries to uncover the truth behind why she ended their relationship.
Resumen
The End of the Affair is a romantic drama directed by Neil Jordan and released in 1999. Based on the novel of the same name by Graham Greene, the film explores themes of love, obsession, jealousy, and infidelity amidst the backdrop of post-WWII London. The story revolves around Maurice Bendrix (played by Ralph Fiennes), a novelist haunted by his past affair with Sarah Miles (Julianne Moore), the wife of his friend Henry Miles (Stephen Rea). With its atmospheric setting and complex exploration of human emotions, the film offers a nuanced portrait of the destructive power of obsession.
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