Actriz: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Título: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Portrait of Mary Sellers
Rank #14303

Mary Sellers

Nombre de nacimiento: Mary Sellers

Fecha de nacimiento: 1962-09-03

Lugar de nacimiento: Kenya

Detalles

Nombres alternativos: Mary Seller

Características físicas: N/A

Carrera

Primeras apariciones:

  • The Immigrant (1986) como

Roles más importantes:

  • Ghosthouse (1988) como Susan
  • The Last Temptation of Christ (1988) como People at Sermon
  • Lambada (1990) como Annabelle Lewis
  • The Mask of Satan (1990) como Alessandra
  • Eleven Days, Eleven Nights (1987) como Helen
  • The Crawlers (1991) como Josie
  • Valentina (1989) como Anita
  • The Room Next Door (1994) como Grace Waits
  • Eyewitness (1990) como Tiziana
  • Stage Fright (1987) como Laurel

Puntos destacados de la carrera:

  • Ghosthouse (1988)
  • The Last Temptation of Christ (1988)
  • Lambada (1990)
  • The Mask of Satan (1990)
  • Eleven Days, Eleven Nights (1987)
  • The Crawlers (1991)
  • Valentina (1989)
  • The Room Next Door (1994)
  • Eyewitness (1990)
  • Stage Fright (1987)

Premios

Premios:

  • Nominated for 1 Best Italian Short Film of the Year (1993)
  • Won Outstanding Achievement - Best Family Film (2013)
  • Nominated for 1 Golden Unicorn Award - Best Foreign Film with a Russian Connection (2019)

Biografía completa

"Beginning her career in Italy during the mid-1980s, Mary Sellers initially appeared in Italian horror films like 'Stage Fright' (1987) and 'Ghosthouse' (1988). She subsequently secured a recurring role on the television series 'Valentina'. Throughout the 1990s, she maintained sporadic acting work but took an extended break during much of the early 2000s. Upon her return to acting, Sellers landed a part in the recent remake of 'Romeo and Juliet' (2013). To glimpse Mary's assets, one must revisit the onset of her career in 'Stage Fright', where she inadvertently revealed them twice. In the first scene, she changes in a dimly lit closet, while in the second, slowed down by Skin Vision, her left breast escapes her dress. Mary Sellers is truly capable of leaving an impression that could induce expulsion."

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Deliria(1987)1 SCENE
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